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Keyboard shortcuts are a great time-saver. I often use keyboard shortcuts to quickly adjust the exposure, contrast, or brightness of the image, or turn on and off a filter or setting. The quickest ways to activate most Photoshop editing features are highlighted in figure 7.2. But you can also access Photoshop’s keyboard controls by using the keyboard shortcuts while using Photoshop.
**Figure 7.2** : Keyboard shortcuts enable you to activate most of Photoshop’s features more quickly and quickly.
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Photoshop is an essential tool for many professionals and hobbyists. It is the industry standard for image editing and Web design. Photoshop is a complex program with many features and interfaces. Often, when you are used to a program, you don’t know how to use its advanced features.
Photoshop is a powerful tool and in order to fully leverage its capabilities, you need to know how to get around its user interface and menus and how to use its various features. In this guide, we will teach you how to work with Photoshop using only its simple interface.
The process of learning Photoshop is not the same for everyone, as it takes time and practice.
There are many tutorials online that teach you Photoshop and you can visit these tutorials and improve your skills, but this article will walk you through the process of using Photoshop to create and edit your images.
Photoshop has many many different features that are useful and many different workflows that will help you use these features. We have chosen only a few of these workflows and described them thoroughly, but you can find many other useful workflows in the online resources linked in the bottom of the guide.
Photoshop is a powerful tool. But, it can be intimidating at first due to its complex menus, confusing and numerous features. Fortunately, you can use only a small part of the program in order to work on most images.
Use the tool palette to select tools, adjust brush size, and change brush settings.
The tool palette is an interface that contains the tools and features of Photoshop for image editing and composition.
In this article, we will go through the tool palette and then we will look at other parts of Photoshop to use for image editing and composition.
The tool palette is also called the workspace and the features you use from the tool palette will be available in other parts of the program. The features can then be combined with other features to compose more complex images.
The tool palette contains the tools and you can select only a few of them while working on an image. But, you can use those tools and feature from the tool palette to edit and compose your images.
We will describe how to use the tool palette first, then, we will look at other parts of Photoshop to use for image editing and composition.
How to use the tool palette
Use the tool palette by pressing the Ctrl + G keys on your keyboard.
You can resize the tool
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How to select only distinct rows in html?
I want to show only the distinct row if same id is given
If I give one id then it is taking only one row
I want all rows if I give multiple id’s
This actually means you want multiple elements inside your form. To do that, you’d need to add id=”select” to every select element inside the form:
Now, the following is invalid HTML, so it wouldn’t work in an HTML document:
To select multiple
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Converting binary-integer to an unsigned long
How can I convert a binary-integer value into a 32-bit unsigned long (of type long in C)? The binary-integer is of type int. I tried long long int mask = ~(sizeof(long long int) – 1);, long long mask = ~(sizeof(long long) – 1);, and unsigned long mask = ~(sizeof(unsigned long) – 1); to no avail.
You can use the following:
unsigned long val = ~(unsigned long)mask;
~ means “invert the bits”.
In this case, the mask should be the same type as the number you’re converting. That might be int, or a long long, or a long, or something else.
However, if you’re converting from int to unsigned long, it’ll be wrong. The mask should be a number of bits, corresponding to the representation of unsigned long in int. That is, the higher order bits in int would become the least significant bits of the unsigned long value, and the lowest order bits would become the most significant bits of the unsigned long value. So, if int is 32-bits, and unsigned long is 64-bits, you need an int mask that inverts the highest 15 bits of int. Then when you use the ~ operator on the mask, the highest 15 bits of int will become the lowest 15 bits of the uint64 value, and everything else will become the highest 15 bits of the uint64 value. And finally, you shift to get the lower bits.
Shifting by the width of the target type is fine.
unsigned long n = 0x01010101;
You may need casting to unsigned char if your compiler doesn’t default to char.
You can use bitmasks:
ulong my_large_value = 0x01010101;
// even if it is known at compile-time, the compiler will not
// generate efficient code
int mask = sizeof(ulong) – 1;
int n = my_large_value & mask; // bits 1, 3, 5…
int m = (my_large_value >> width) & mask; // bits 2,
Requires a 64-bit processor and operating system
OS: Windows 7, Windows 8/8.1, Windows Server 2008 R2/2012
Processor: 1.6 GHz Dual Core or faster
Memory: 2 GB RAM
Graphics: DirectX 9-compatible with 512 MB RAM
DirectX: Version 9.0c
Hard Drive: 16 GB available space
64-bit OS: The 64-bit Windows Vista operating system is not supported on Mac OS X.